Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
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The digital signature was a messy string of characters——but to Elias, it was a lifeline.
The file wasn't just a movie or a recording; it was a high-definition forensic capture of the ground-penetrating radar used during the event. As the progress bar hit 100%, Elias opened the "subtitle" file. It wasn't dialogue. It was a time-stamped log of sub-frequency vibrations. 00:14:22 - RUMBLE - 4Hz 00:45:10 - DISTANCE IMPACT - 3Hz
Should Elias or try to communicate with the creature? I can tailor the next chapter to your favorite genre .
As the "subtitles" on his screen began to scroll faster, flashing 00:00:01 - CRITICAL FREQUENCY , the floor of his cabin began to tilt. The mountain wasn't just hiding a troll. The mountain was the troll. And according to the file, it was finally waking up. To keep the story going, let me know: Should the story be ?
He realized then that "NAISU" wasn't a pirating group. In the niche world of Norse crypto-seismology, it stood for Northern Atlantic Integrated Subterranean Units . They hadn't leaked a film; they had leaked a warning.
Elias synced the subtitles to the video feed. On the screen, the giant stone creature lumbered through the valley. But the "subtitles" showed a second, rhythmic pulsing that didn't match the creature's footsteps. It was a heartbeat. A second heartbeat.
Deep in the mountains of Dovre, Norway, Elias sat in a darkened research station, his eyes bloodshot from staring at seismic monitors. The world thought the 2022 "Troll" incident was over, a contained disaster where a creature of myth had been brought down by the lights of Oslo. But the data on his screen, pulled from a leaked encrypted server labeled NAISU , suggested otherwise.
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-ZÂ .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
The digital signature was a messy string of characters——but to Elias, it was a lifeline.
The file wasn't just a movie or a recording; it was a high-definition forensic capture of the ground-penetrating radar used during the event. As the progress bar hit 100%, Elias opened the "subtitle" file. It wasn't dialogue. It was a time-stamped log of sub-frequency vibrations. 00:14:22 - RUMBLE - 4Hz 00:45:10 - DISTANCE IMPACT - 3Hz subtitle Troll 2022 1080p WEB H264-NAISUTroll.2...
Should Elias or try to communicate with the creature? I can tailor the next chapter to your favorite genre . The digital signature was a messy string of
As the "subtitles" on his screen began to scroll faster, flashing 00:00:01 - CRITICAL FREQUENCY , the floor of his cabin began to tilt. The mountain wasn't just hiding a troll. The mountain was the troll. And according to the file, it was finally waking up. To keep the story going, let me know: Should the story be ? It wasn't dialogue
He realized then that "NAISU" wasn't a pirating group. In the niche world of Norse crypto-seismology, it stood for Northern Atlantic Integrated Subterranean Units . They hadn't leaked a film; they had leaked a warning.
Elias synced the subtitles to the video feed. On the screen, the giant stone creature lumbered through the valley. But the "subtitles" showed a second, rhythmic pulsing that didn't match the creature's footsteps. It was a heartbeat. A second heartbeat.
Deep in the mountains of Dovre, Norway, Elias sat in a darkened research station, his eyes bloodshot from staring at seismic monitors. The world thought the 2022 "Troll" incident was over, a contained disaster where a creature of myth had been brought down by the lights of Oslo. But the data on his screen, pulled from a leaked encrypted server labeled NAISU , suggested otherwise.
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Note to MIDI sequence contributors
Your submissions are welcomed.Â
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.Â
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This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority. Â
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.Â
Last update: March 8 2026
Copyright François Faucher 1998-2025
G.F.Handel's Sonata 2. Allegro
3.Adagio HWV368