Travis finally confronts his father about the secret life he has been living, identifying him as gay.
The primary conflict involves the return of Robert Sullivan in a demoted role. Dean Miller’s refusal to "look back" with anything but anger is rooted in a larger social critique. [S4E4] Kijk niet terug in woede
The emergency of the week—a pregnant woman in a volatile domestic dispute—serves as a narrative mirror for the team. Travis finally confronts his father about the secret