Data indicates that approximately of hospitalized COVID-19 patients received antibiotics during the first year of the pandemic. However, the World Health Organization (WHO) and subsequent studies found that only about 8% of these patients actually had bacterial co-infections that warranted such treatment.
Nearly 80% received an antibiotic from March to October 2020. Early in Pandemic, Were Antibiotics Prescribed ...
As more clinical evidence emerged, the use of early empiric antibiotics fell from 84.4% in early 2020 to 65.2% by mid-2021. Common Antibiotics Used As more clinical evidence emerged, the use of
Antibiotics were often prescribed regardless of illness severity, with similar rates seen in both mild/moderate cases and severe/critical cases. While COVID-19 is a viral disease and inherently
Antibiotic Prescribing Trends During the Early COVID-19 Pandemic
Early in the COVID-19 pandemic, research shows a stark disconnect between the frequency of antibiotic prescriptions and the actual presence of bacterial co-infections. While COVID-19 is a viral disease and inherently untreatable by antibiotics, healthcare systems worldwide saw massive spikes in their use. High Rates of Prescription vs. Low Co-infection
MAGNOLIA PICTURES
A leading independent film studio for 20 years, Magnolia Pictures is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, boasting a library of over 500 titles. Recent releases include THE LEAGUE, from director Sam Pollard and executive producers Ahmir “Questlove” Thompson and Tariq Trotter that celebrates the dynamic journey of Negro League baseball's triumphs and challenges through the first half of the twentieth century; Paul Schrader’s Venice and New York Film Festival crime thriller MASTER GARDENER; Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING; SXSW Grand Jury Prize and Audience Award-winning comedy I LOVE MY DAD, starring Patton Oswalt; double Oscar nominee COLLECTIVE, Alexander Nanau’s jaw-dropping expose of corruption at the highest levels of government; Dawn Porter’s JOHN LEWIS: GOOD TROUBLE; Hirokazu Kore-Eda’s Cannes Palme d'Or winner and Oscar-nominated SHOPLIFTERS; Oscar-nominated RBG; Ruben Östlund’s Cannes Palme d'Or winner and Oscar-nominated THE SQUARE; and Raoul Peck and James Baldwin’s Oscar-nominated I AM NOT YOUR NEGRO. Upcoming releases include KOKOMO CITY, D. Smith’s uproarious and unapologetic Sundance documentary about Black trans sex workers; Steve James’ A COMPASSIONATE SPY, a gripping real-life spy story about controversial Manhattan Project physicist Ted Hall; Sundance documentary INVISIBLE BEAUTY, an essential memoir of fashion pioneer Bethann Hardison; JOAN BAEZ I AM A NOISE, a revealing exploration of the iconic folk singer and activist; Venice International Film Festival world premiere THE PROMISED LAND, starring Made Mikkelsen; Joanna Arnow’s Cannes Directors’ Fortnight breakout comedy THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED, executive produced by Sean Baker; and Raoul Peck’s UNTITLED ERNEST COLE DOCUMENTARY, which reveals the untold story of the essential photographer’s life and work.