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This paper analyzes Bloody Monday , a 2000s thriller manga by Ryō Ryūmon and Kōji Megumi that blends high-stakes counter-terrorism with realistic hacking, focusing on themes of cybersecurity and the "DCP Italia" digital preservation movement. It explores how the series highlights the intersection of international licensing, fan-driven "scanlation" culture, and the evolution of digital comic formats like CBR.

The Ethics of Scanlation | Center for Digital Ethics & Policy