Bor is depicted as a city devouring its inhabitants, surrounded by chimneys "spouting acid smoke" and hills of molten ore. The air itself is poisoned, mirroring the toxic relationships of the protagonists.
True to its tragic roots, the film spirals toward an inevitable and bloody finale, culminating in an "Oedipal" collision of past and present sins. III. Thematic Core: Industrial Ruins and Moral Decay 2010 - White, White World
Complications arise when Ruzica’s wild teenage daughter, Rosa (Hana Selimović), falls in love with King, unaware of the deep and violent history between him and her mother. Bor is depicted as a city devouring its
Critics have noted the irony of the title; the "White, White World" refers not to purity, but perhaps to the blinding, blank emptiness of a world where traditional values and economic stability have vanished. Rosa (Hana Selimović)